German-born American Romantic Painter, 1816-1868  Related Paintings of Leutze, Emmanuel Gottlieb :. | Worthington Whittredge in his Tenth Street Studio | Westward the Course of Empire Take its Way | Washington Crossing the Delaware | Westwarts geht der Weg des | Wilhelmine von Cotta (mk09) |
Related Artists:
Homer Watson
Canadian Painter, 1855-1936 Canadian painter. The son of a mill-owner, he was born in a region of rural southern Ontario, which he painted throughout his life. In 1874 he moved to Toronto to work at the Notman Photographic Studios; he also spent many hours copying paintings in the Toronto Normal School in order to improve his technique. In 1876 he visited New York, where he was impressed with the carefully composed paintings of the Hudson River school and the rural scenes of George Inness, who encouraged Watson to pursue his career. The following year he returned to Doon to work up his New York sketches into finished paintings. A work of this early period, Landscape with River (1878; Toronto, A.G. Ont.),
PAOLINI, Pietro
Italian painter, Lucchese school (b. 1603, Lucca, d. 1681, Lucca) Italian painter. He was the son of Tommaso Paolini and Ginevra Raffaelli, both from Lucca. In 1619 Paolini's father sent him to study under Angelo Caroselli in Rome. His artistic formation was also influenced by the circle of Italian and, especially, northern European followers of Bartolomeo Manfredi, who were active in Rome between 1620 and 1630. The following works, though undocumented, may be dated to this Roman period: Martha and Mary Magdalene (Rome, Gal. Pallavicini), the Concert of Female Musicians (Malibu, CA, Getty Mus.) and the Bacchic Concert (Dallas, TX, Hoblitzelle priv. col., see Maccari Giusti, pl. 3). Paolini's first religious works, such as the Deposition (Lucca, S Frediano), as well as many portraits, also show signs of Roman influence. Around 1628 he went to Venice, where he stayed for two years. The effects of this visit can be seen in his later religious works, such as the Virgin and Saints (Rome, Pal. Barberini) and the Virgin and Saints (Lucca, Villa Guinigi), and also in his history paintings, such as Esther and Ahasuerus (Denver, CO, A. Mus.). He returned to Lucca in 1631, where, from these early experiences, he created an original style, in which he painted cabinet pictures, often on musical or allegorical themes, such as the Ages of Life (Lucca, Mazzarosa priv. col., see Maccari Giusti, pl. 10) and the series Music, Astronomy, Geometry, Philosophy (Lucca, Bertocchini Dinucci priv. col., see Maccari Giusti, pls 56-9). Around 1650 he opened, at his own expense, an academy based on the principle of 'art from nature', at which numerous artists, such as Girolamo Scaglia (d c. 1686), Antonio Franchi, Simone del Tintore and his brother Francesco (1645-1718) were trained.
HEUSCH, Jacob de
Dutch painter (b. 1657, Utrecht, d. 1701, Amsterdam).